The Media School
Bachelor of Fine Arts in Cinematic Arts
Students on Summer 2024, Fall 2024, or Spring 2025 requirements CINEARTBFA
Requirements
The major requires at least 57 credit hours, including the requirements listed below.
- Media School Core.
- Introduction to Media. One (1) course:
- MSCH-C 101 Media
MSCH-C 101 Media
- Credits
- 3
- Prerequisites
- None
- Description
- Examines the role media play in our lives-at work, at school, among family members, friends, and lovers-and analyzes pressing issues in media and society today, such as privacy, globalization, and convergence.
- Spring 2025CASE SHcourseFall 2024CASE SHcourse
- Thinking Media. One (1) course:
- MSCH-C 223 Introduction to Filmmaking
MSCH-C 223 Introduction to Filmmaking
- Credits
- 3
- Prerequisites
- None
- Description
- Provides a conceptual framework for writing, designing, and evaluating a variety of media products. Media program design is not a hands-on production course but does offer an overview of the production process. Topics include scriptwriting, production design, visualization, composition, editing styles, and others.
- Repeatability
- Credit given for only one of MSCH-C 223 or TEL-T 206.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
- Making Media. One (1) course:
- MSCH-C 229 Introduction to Single-Camera Production
MSCH-C 229 Introduction to Single-Camera Production
- Credits
- 3
- Prerequisites
- None
- Description
- Outlines the basic procedures, techniques, and theories for the production of a video. Main focal points and concentrations include cinematography, lighting, and editing of digital video using single-cam and dual system audio/video recording techniques. Uses DSLR and cinema camera technology and incorporates an HD workflow.
- Introduction to Media. One (1) course:
- Production Skills.
- Scriptwriting. One (1) course:
- MSCH-P 331 Introduction to Screenwriting
MSCH-P 331 Introduction to Screenwriting
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-C 223 or MSCH-C 250
- Description
- Introductory course covering formal elements of Hollywood-style narrative screenwriting, focusing on screenplay format, stages of story development, story structure, character arcs, plotting, conflict, theme, point-of-view, dialogue, subtext, and scene description. Analyzes distinctions between literary writing and screenwriting.
- Production as Criticism. One (1) course:
- MSCH-P 335 Production as Criticism
MSCH-P 335 Production as Criticism
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-C 223 and MSCH-C 229; or consent of instructor
- Description
- By modeling the techniques of historically significant films, provides both conceptual and hands-on experience for researching, writing, and producing different genres of cinematic media. Emphasizes conceptual processes from script to the completed film.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
- Editing for Cinema. One (1) course:
- MSCH-P 352 Editing for Cinema
MSCH-P 352 Editing for Cinema
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-C 223 or MSCH-C 250, or consent of instructor
- Description
- Analyze and assemble dramatic scenes under a variety of conditions and narrative strategies. Examine editing theories, techniques and procedures, issues of continuity, effects, movement and sound as they relate to the fundamentals of cinematic montage and visual storytelling. Explore a variety of topics and experiences designed to broaden understanding of the art of cinematic storytelling and montage.
- Motion Picture Production. One (1) course:
- MSCH-P 361 Intermediate Motion Picture Production
- MSCH-P 460 Advanced Motion Picture Production
MSCH-P 361 Intermediate Motion Picture Production
- Credits
- 3
- Prerequisites
- A grade of C- of higher in MSCH-C 229; or consent of instructor
- Description
- Focuses on the ecology of the department-based work environment of a professional motion picture set. Provides practice in the various film crew roles, including producer, director, cinematographer, gaffer, script supervisor, production designer, assistant director, sound recordist, boom operator, data wrangler/editor, grip, and unit production manager.
MSCH-P 460 Advanced Motion Picture Production
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-P 361; or consent of instructor
- Description
- Covers advanced procedures, theories, and techniques for large-scale motion picture production. Main topics include cinematography, lighting, and cinematic digital video editing with a variety of single-cam and dual system recording techniques. Uses HD cameras and jam sync technology and highlights industry-level postproduction workflow.
- Scriptwriting. One (1) course:
- Studies Skills.
- Watching Film. One (1) course:
- MSCH-C 241 Watching Film
MSCH-C 241 Watching Film
- Credits
- 3
- Prerequisites
- None
- Description
- Introduction to the power, pleasure, politics, and possibilities of cinema. Opportunity to develop film literacy through a better understanding of how film is and has been constructed and experienced. Provides critical techniques for analyzing and appreciating the many forms film has taken.
- Authorship in Media. One (1) course:
- MSCH-F 326 Authorship in the Media
MSCH-F 326 Authorship in the Media
- Credits
- 3
- Prerequisites
- None
- Description
- Topic varies: in-depth analysis of directors, producers, or creative individuals in the media, viewed as 'authors.'
- Repeatability
- May be repeated with a different topic for a maximum of 6 credit hours.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
- Hollywood. One (1) course:
- MSCH-F 380 Hollywood I: The First Fifty Years, 1895-1945
- MSCH-F 381 Hollywood II: 1945 to the Present
MSCH-F 380 Hollywood I: The First Fifty Years, 1895-1945
- Credits
- 3
- Prerequisites
- None
- Description
- Presents a survey of the first fifty years of American cinema, from the premiere of moving pictures through the introduction of feature films, the star system, and movie theaters. Includes the rise of Hollywood as industry, mythmaker, and purveyor of stories about glamour, gender, race, social class, romance, fear and pleasure.
- Spring 2025CASE SHcourseFall 2024CASE SHcourse
MSCH-F 381 Hollywood II: 1945 to the Present
- Credits
- 3
- Prerequisites
- None
- Description
- Presents a critical survey of Hollywood cinema, from 1945 to the present, from the dual perspective of film history and cultural history. Focuses on stardom and performance, popular representations of race, class, gender and sexuality, technological change, genre theory, marketing and promotion, and the globalization of Hollywood.
- Spring 2025CASE SHcourseFall 2024CASE SHcourse
- Contemporary Filmmakers. One (1) course:
- MSCH-F 415 Contemporary Filmmakers
MSCH-F 415 Contemporary Filmmakers
- Credits
- 3
- Prerequisites
- None
- Description
- Examines contemporary film authorship in collaboration with the IU Cinema. Students attend lectures by visiting filmmakers and attend screenings of their films and discuss film criticism and review.
- Watching Film. One (1) course:
- Studies Electives. One (1) course:
- MSCH-F 370 Women Directors
- MSCH-F 377 Cinemas of the Black Diaspora
- MSCH-F 382 American Independent Cinema
- MSCH-F 391 Media Audiences
- MSCH-F 392 Media Genres
- MSCH-F 395 Horror Cinema
- MSCH-F 398 National and Transnational Cinemas
- MSCH-F 420 Topics in Media History
- MSCH-H 310 Honors Media Topics (approved topics only; see academic advisor)
MSCH-F 370 Women Directors
- Credits
- 3
- Prerequisites
- None
- Description
- Focuses on women directors in cinema, from the silent era to the present day. Explores the presence of women directors in American and European cinema, the connection to feminist theory in cinema, and the challenges confronting women who wish to direct films.
MSCH-F 377 Cinemas of the Black Diaspora
- Credits
- 3
- Prerequisites
- None
- Description
- Examines filmmaking in the black diaspora as a formally innovative visual and narrative art form in world cinema. Studies select films for their political and cultural significance and shared themes. Topics include colonialism and postcoloniality; race, gender and sexuality; migration and exile; modernity; and the dislocating processes of globalization.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
- Spring 2025CASE DUScourseFall 2024CASE DUScourse
MSCH-F 382 American Independent Cinema
- Credits
- 3
- Prerequisites
- None
- Description
- Explores the history, context, and development of American independent cinema from the 1960s to the present day. Introduces key films and directors from the period, aesthetic characteristics and influences, as well as social and institutional contexts that led to the creation of this form of filmmaking and cinema.
MSCH-F 391 Media Audiences
- Credits
- 3
- Prerequisites
- None
- Description
- Studies audiences in the context of film, television, new media, and other media forms. Topic varies, but may include a focus on theories of spectatorship, historical reception studies, ethnographic and/or empirical audience studies, global or transnational audiences, Internet communities, performance theory, fan cultures, and subcultures.
- Repeatability
- May be repeated with a different topic for a maximum of 6 credit hours in CMCL-C 391 and MSCH-F 391.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
MSCH-F 392 Media Genres
- Credits
- 3
- Prerequisites
- None
- Description
- Topic varies. Analysis of typical genres, such as westerns, situation comedies, documentaries, etc. Problems of generic description or definition: themes, conventions, iconography peculiar to given genres.
- Repeatability
- May be repeated with a different topic for a maximum of 6 credit hours in CMCL-C 392 and MSCH-F 392.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
MSCH-F 395 Horror Cinema
- Credits
- 3
- Prerequisites
- None
- Description
- Examines horror in cinema as a cultural and cinematic form, and attempts to draw some conclusions about its \"politics\"-sexual, ethnic, familial, economic etc. Focuses on social changes in sexual mores. gender roles, family structure, political and economic events, and the increasing role of technology in our lives.
MSCH-F 398 National and Transnational Cinemas
- Credits
- 3
- Prerequisites
- None
- Description
- Historical survey of major national cinemas. Subject varies. Topics include Brazilian cinema, British cinema, Chinese cinema, French National cinema, German film culture, Indian cinema, and Italian cinema.
- Repeatability
- May be repeated with a different topic for a maximum of 6 credit hours in CMCL-C 398 and MSCH-F 398.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
MSCH-F 420 Topics in Media History
- Credits
- 3
- Prerequisites
- None
- Description
- Media historiography, topics in national media history, national and international movements and trends. Topic varies.
- Repeatability
- May be repeated with a different topic for a maximum of 6 credit hours in CMCL-C 420 and MSCH-F 420.
- Spring 2025CASE SHcourseFall 2024CASE SHcourse
MSCH-H 310 Honors Media Topics
- Credits
- 3
- Prerequisites
- Must be a current Ernie Pyle Scholar (EPS), Media Scholar (MS), Media School Academic Honors Scholar, or Hutton Honors College student
- Description
- Covers a variety of topics from various media disciplines, including advertising, game design, journalism, law and public policy, media criticism, media production, and public relations. Develops advanced understanding of media topics and how media systems connect with culture, politics, and society. Evaluates and critically analyzes the underlying assumptions of media.
- Repeatability
- May be repeated with different topics for a maximum of 9 credit hours.
- Production Electives. Four (4) courses and/or a maximum of twelve (12) credit hours:
- MSCH-C 260 Media Boot Camp (approved topics only; see academic advisor)
- MSCH-C 270 Media Skills Workshop (approved topics only; see academic advisor)
- MSCH-C 350 Media Topics (approved topics only; see academic advisor)
- MSCH-C 360 Media School Bootcamp
- MSCH-G 340 Animation for Digital Media
- MSCH-G 390 Topics in Game Design and Development
- MSCH-G 434 Technical Game Art and Visual Effects
- MSCH-H 451 Media Scholar Capstone
- MSCH-M 330 Production Management
- MSCH-M 332 Media Law for Producers
- MSCH-M 411 Media Industries and Cultural Production
- MSCH-M 453 Media Industry Topics
- MSCH-P 344 Introduction to Documentary Filmmaking: Theory & Practice
- MSCH-P 351 Advanced Video Field and Post Production
- MSCH-P 353 Production Audio
- MSCH-P 354 Program Graphics and Animation
- MSCH-P 360 Motion Picture Production
- MSCH-P 362 Cinematography
- MSCH-P 369 Sound Design
- MSCH-P 416 Program Analysis and Criticism
- MSCH-P 422 Color Correction & Finishing
- MSCH-P 430 Writer's Room
- MSCH-P 431 Feature Film Screenwriting
- MSCH-P 432 TV Series Writing
- MSCH-P 434 Advanced Documentary Filmmaking: Theory & Practice
- MSCH-P 435 Advanced Documentary Workshop
- MSCH-P 436 Advanced Production Workshop
- MSCH-P 438 Experiments with the Film Camera
- MSCH-P 440 Directing the Cinematic Story
- MSCH-P 441 Directing Actors for Cinema
- MSCH-P 452 Topics in Design and Production
- MSCH-P 453 Postproduction
- MSCH-P 455 Topics in Music Scoring for Visual Media
- MSCH-P 460 Advanced Motion Picture Production
- MSCH-P 467 Short Film
- MSCH-P 468 Double Exposure: Advanced Collaborative Workshop
- MSCH-P 470 LA Production
- MSCH-X 360 The Media School in Los Angeles
- MSCH-X 373 Media Internship in Los Angeles
- MSCH-X 472 Media Internship
- SOAD-S 311 Video Art
- SOAD-S 411 Digital Video
MSCH-C 260 Media Boot Camp
- Credits
- 1–3 credit hours
- Prerequisites
- None
- Description
- Industry-focused course that covers in-depth information about key areas of the media enterprise. Boot camp courses are taught by media professionals in an intensive format, with emphasis placed on skill development and media knowledge expansion.
- Repeatability
- May be repeated with different topics for a maximum of 6 credit hours.
MSCH-C 270 Media Skills Workshop
- Credits
- 1–4 credit hours
- Prerequisites
- None
- Description
- Media skills workshops that cover topics including media software training, camera presence training, media production workflow training, and other forms of skill development in digital and traditional media environments, particularly for those needing to develop technical skills in media.
- Repeatability
- May be repeated with different topics for a maximum of 6 credit hours.
MSCH-C 350 Media Topics
- Credits
- 1–4 credit hours
- Prerequisites
- None
- Description
- Examines emerging items in media, including related social and political issues, content creation and production, and unique trends and events.
- Repeatability
- Can be repeated for up to 9 hours
MSCH-C 360 Media School Bootcamp
- Credits
- 1–3 credit hours
- Prerequisites
- None
- Description
- Professionally-oriented media courses taught by media professionals. Topics include hands-on media training, media planning, media analysis and criticism, and media career preparation. Featured instructors include professionals from fields as diverse as television and film production, advertising, public relations, journalism, sports media, game design, and film criticism.
MSCH-G 340 Animation for Digital Media
- Credits
- 3
- Prerequisites
- None
- Description
- Covers rigging, 3D animation, 2D animation, motion capture, and best practices for animating for specific platforms like film, games, and commercial uses.
MSCH-G 390 Topics in Game Design and Development
- Credits
- 1–4 credit hours
- Prerequisites
- None
- Description
- Topical course dealing with changing subjects and material from term to term.
- Repeatability
- May be repeated with different topics for a maximum of 8 credit hours in MSCH-G 390 and MSCH-G 290.
MSCH-G 434 Technical Game Art and Visual Effects
- Credits
- 3
- Prerequisites
- None
- Description
- Covers the technical aspects of creating art for games and other digital media, as well as specific techiques for creating visual effects.
MSCH-H 451 Media Scholar Capstone
- Credits
- 3
- Prerequisites
- Senior standing; and must be an Ernie Pyle Scholar or Media Scholar
- Description
- Topical seminar in which students complete an honors capstone project focused on a topic they selected in consultation with their faculty mentor.
- Repeatability
- May be repeated with different topics for a maximum of 9 credit hours in MSCH-H 451 and TEL-S 451.
MSCH-M 330 Production Management
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-C 223 and MSCH-C 228 OR MSCH-C 229; or consent of instructor
- Description
- Explores the organizational, economic/ business, and legal aspects of production management of commercial and noncommercial projects, including television and news media.
MSCH-M 332 Media Law for Producers
- Credits
- 3
- Prerequisites
- None
- Description
- In the complex new media age people who create and distribute content constantly intersect with an equally complex legal environment. This course explores legal issues such as contracts and permissions; intellectual property and service-marks; privacy and fraud; slander and libel; and employment and unions.
MSCH-M 411 Media Industries and Cultural Production
- Credits
- 3
- Prerequisites
- None
- Description
- Examines the social, economic, and cultural forces that influence the creation of programs and genres in the media industries. Topic varies, but may explore the role of networks, advertisers, studios, and independent producers.
- Repeatability
- Credit given for only one of CMCL-C 411 or MSCH-M 411.
- Spring 2025CASE SHcourseFall 2024CASE SHcourse
MSCH-M 453 Media Industry Topics
- Credits
- 1–3 credit hours
- Prerequisites
- C- or higher in MSCH-C 101 and MSCH-C 207, or consent of instructor
- Description
- Exploration of management or strategic problems and issues in telecommunications. Topics vary.
- Repeatability
- May be repeated with different topics for a maximum of 6 credit hours in MSCH-M 453 and TEL-T 453.
MSCH-P 344 Introduction to Documentary Filmmaking: Theory & Practice
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-C 229; or consent of instructor
- Description
- Explores the variety of documentary film practice. Examines fundamental issues, styles, and techniques (realism, voice, ethics, observation, interview, re-enactment, etc.) through hands-on exercises, screenings, discussions, lectures, and the production of a short form documentary
- Repeatability
- Credit given for only one of MSCH-P 344 or MSCH-P 433.
MSCH-P 351 Advanced Video Field and Post Production
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-C 223 and MSCH-C 228, or consent of instructor
- Notes
- Lab fee required
- Description
- Teaches advanced technical skills and creative principles to produce content for broadcast, commercial, informational, and artistic television. Topics covered include technology, production design, content and structure, composition, lighting, portraiture, audio, editing, color correction, and television broadcast delivery requirements. Opportunities to create projects for external clients may be available through the Office of Service Learning.
MSCH-P 353 Production Audio
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-C 223, MSCH-C 228, MSCH-C 229, or MSCH-G 320
- Description
- Practice a broad range of audio recording and mixing exercises in preparation for advanced courses in film, video, and documentary production. Hands-on activities introduce the most commonly encountered types of audio equipment and their proper use.
MSCH-P 354 Program Graphics and Animation
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-C 223, MSCH-C250, or MSCH-G 320, or consent of instructor
- Description
- Covers technical skills and creative principles required to produce graphics and animation for television and digital filmmaking applications. Reinforces skills acquisition through hands-on activites and projects using industry-standard software.
MSCH-P 360 Motion Picture Production
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-C 229
- Description
- A hands-on introduction to the technical and aesthetic basics of making 16mm silent films, including the skills needed to design, direct, light, shoot, and edit this type of production
MSCH-P 362 Cinematography
- Credits
- 3
- Prerequisites
- A grade of C- or above in MSCH-C 229 and MSCH-P 361
- Description
- Focuses on camera to post workflows and professional camera crew skills, including how to operate cinema package cameras and light for cinematic productions. Explores and evaluates cinema techniques that are utilized in film and television production.
MSCH-P 369 Sound Design
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-C 223 and one of MSCH-C 228, MSCH-C 229 or MSCH-G 320, or consent of instructor
- Description
- Introduces sound design for film and television with a focus on the role of the Sound Effects Editor. Explores the ways sound is used to enhance visual language, provide narrative cues, create a sense of space and place, focus audience attention, provide compositional structure, and create psychological ambience.
MSCH-P 416 Program Analysis and Criticism
- Credits
- 3
- Prerequisites
- None
- Description
- Fosters the development of individual critical ideas about television programs from different genres using a variety of analytic techniques.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
MSCH-P 422 Color Correction & Finishing
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-P 351 or MSCH-P 352; or consent of instructor
- Description
- Focuses on the techniques, tools, and skills required to prepare an edited program for final distribution, including color-correction, stylization, video scopes, and dialogue normalization.
MSCH-P 430 Writer's Room
- Credits
- 3
- Prerequisites
- A C- or better in MSCH-P 331, or consent of instructor
- Description
- Advanced screen writing class where students develop an original 30 minute dramatic web series under the supervision of a Media School instructor and that will be produced on a Media School sound stage by production students.
MSCH-P 431 Feature Film Screenwriting
- Credits
- 3
- Prerequisites
- A grade of C- of higher in MSCH-P 331; or consent of the instructor
- Description
- Builds on the foundations of MSCH-P 331, by focusing on the creation of original, feature-length Hollywood style narrative screenplays. Workshops delve deeper into genre conventions, story structure, character development, plotting, conflict, theme, point of view, dialogue, and sub text.
MSCH-P 432 TV Series Writing
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-P 331; or consent of instructor
- Description
- Builds on the foundations of MSCH-P 331, by focusing on the development process and writing of a long form narrative series, including the creation of a series bible, an outline for the first season, and a written and revised pilot episode for an original series.
MSCH-P 434 Advanced Documentary Filmmaking: Theory & Practice
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-C 223; and MSCH-C228 or MSCH-C 229; or consent of instructor
- Description
- Focuses on the development and production of a larger scale documentary, including research, story development, writing, filming, and editing.
MSCH-P 435 Advanced Documentary Workshop
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-P 335 or MSCH-P 344 or MSCH-P 360; or consent of instructor
- Description
- Focuses on collaborative production of a substantial documentary. Employs advanced, specialized procedures, theories, and skills involved in professional production, including research, investigative techniques, production design, cinematography, sound, post-production, writing, and rights clearance.
MSCH-P 436 Advanced Production Workshop
- Credits
- 1–3 credit hours
- Prerequisites
- C- or higher in MSCH P-344 or MSCH-P 360 or MSCH-P 361; or consent of instructor
- Description
- A capstone course for the Film, Television, and Digital Production concentration focused on planning, directing, and producing programs or program segments that may air on WTIU, Indiana University\'s public television station.
- Repeatability
- May be repeated with different topics for up to nine credit hours.
MSCH-P 438 Experiments with the Film Camera
- Credits
- 3
- Prerequisites
- MSCH-P 360; or consent of instructor
- Description
- Explores techniques and concepts of experimental filmmaking, building on the foundation of other production classes. Activities employ skills in basic cinematography and visual storytelling, as well as in the fundamentals of digital editing.
MSCH-P 440 Directing the Cinematic Story
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-P 361; or consent of instructor
- Description
- Explores the functions involved in directing narrative film through scholarly analysis and hands-on practice. Focuses on scripted storytelling with the goal of developing the unique style, tone, and voice of each visual storyteller.
MSCH-P 441 Directing Actors for Cinema
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-P 361; or consent of instructor
- Description
- Explores the functions involved in directing actors for narrative film through scholarly analysis and hands-on practice. Focuses on cinematic storytelling to build proficiency in communication, collaboration, problem solving, and character/actor development for film and scripted television.
MSCH-P 452 Topics in Design and Production
- Credits
- 1–3 credit hours
- Prerequisites
- None
- Description
- Exploration of design or production problems and issues in telecommunications. Topics vary.
- Repeatability
- May be repeated with different topics for a maximum of 30 credit hours
MSCH-P 453 Postproduction
- Credits
- 3
- Prerequisites
- C- or higher in MSCH-P 351, MSCH-P 352, MSCH-P 353, MSCH-P 354, MSCH-P 369, or MSCH-P 422; or consent of instructor
- Description
- Hands-on course that focuses on Large Format (4K or higher) video data workflow creation, administration, and delivery following industry standard practices. Builds skills in identifying workflow issues and resolving them. Explores a variety of topics related to video postproduction, including sound design, color correction, final delivery, and more.
MSCH-P 455 Topics in Music Scoring for Visual Media
- Credits
- 1–3 credit hours
- Prerequisites
- Consent of instructor and demonstrated background in MIDI and composition; and at least junior standing
- Description
- Specialized techniques course developing students' skills in music scoring for visual media.
- Repeatability
- May be repeated with different topics for a maximum of 18 credit hours.
MSCH-P 460 Advanced Motion Picture Production
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-P 361; or consent of instructor
- Description
- Covers advanced procedures, theories, and techniques for large-scale motion picture production. Main topics include cinematography, lighting, and cinematic digital video editing with a variety of single-cam and dual system recording techniques. Uses HD cameras and jam sync technology and highlights industry-level postproduction workflow.
MSCH-P 467 Short Film
- Credits
- 3
- Prerequisites
- A grade of C- or above in MSCH-C 229, MSCH-P 331 and MSCH-P 361
- Description
- Focuses on scripted storytelling and provides opportunities to hone individual style as a filmmaker through the production of short films using industry-standard technologies, interaction with local short film producers, and critical analysis of short form cinematic pieces.
MSCH-P 468 Double Exposure: Advanced Collaborative Workshop
- Credits
- 3
- Prerequisites
- A grade of C- or above in MSCH-C 223, MSCH-C 229, and MSCH-P 361
- Description
- Film and music students collaborate in the production of a short film to be screened, with live musical accompaniment, at the IU Cinema. Covers all stages of production, with special emphasis on collaboration between music and sound teams, as well as preparation of a media artifact for public exhibition.
MSCH-P 470 LA Production
- Credits
- 3
- Prerequisites
- Admission to Semester in LA program
- Description
- The effective communication of ideas through the language of cinema including producing, directing, editing, cinematography and sound. Students produce a video project in collaboration with classmates while studying in greater Los Angeles.
MSCH-X 360 The Media School in Los Angeles
- Credits
- 1–4 credit hours
- Prerequisites
- Must be accepted into the Media School's Semester in Los Angeles program
- Description
- Focuses on topics relevant to the Media School's Semester in Los Angeles program. Explores various aspects of the entertainment and media industries under the instruction of industry professionals.
- Repeatability
- May be repeated with different topics for a maximum of 15 credit hours.
MSCH-X 373 Media Internship in Los Angeles
- Credits
- 1–6 credit hours
- Prerequisites
- At least sophomore standing; at least 12 credit hours completed in the school; and application for internship credit approved by the school. Application is available on the Media School website
- Description
- Faculty-supervised work in a media field related to student's academic interests. Credits based on at least 45 work hours per credit hour with a maximum of 6 credit hours applied toward any MSCH degree or concentration. Student must write a critical analysis paper and be evaluated by a workplace supervisor.
- Repeatability
- May be repeated up to 6 times for a maximum of 6 credit hours.
- Grading
- S/F grading
MSCH-X 472 Media Internship
- Credits
- 1–3 credit hours
- Prerequisites
- At least junior standing; at least 12 credit hours completed in the school; and application for internship credit approved by the school
- Notes
- Application is available on the Media School website
- Description
- Faculty-supervised work in a media field related to student's academic interests. Credits based on at least 45 work hours per credit hour with a maximum of 6 credit hours applied toward the B.A. in Media or the B.S. in Game Design. Student must write a critical analysis paper and be evaluated by a workplace supervisor.
- Repeatability
- May be repeated for a maximum of 6 credit hours in CMCL-C 382, MSCH-I 382, MSCH-I 497, MSCH-X 472, or TEL-T 497.
- Grading
- S/F grading.
SOAD-S 311 Video Art
- Credits
- 3
- Prerequisites
- SOAD-A 101, SOAD-A 102, or SOAD-A 103; and SOAD-S 210; or consent of instructor
- Description
- Exploration of the medium of video as an aesthetic expression. Time and sound are elements incorporated into visual composition's traditional concerns. Emphasis on technical command of video camera and digital editing procedures in conjunction with development of a visual sensitivity. Readings and a research project are required.
- Repeatability
- Credit given for only one of FINA-D 317 or SOAD-S 311.
- Spring 2025CASE AHcourseFall 2024CASE AHcourse
SOAD-S 411 Digital Video
- Credits
- 3
- Prerequisites
- SOAD-S 311 or FINA-D 317; or consent of instrutor
- Description
- Advanced study of video's potential in contemporary fine art practice. Students will create a new visual vocabulary using the latest technology including high-definition video systems and interactive DVD authoring. Covers special effects and animation programs that allow artists to further explore the aesthetics of time-based media.
- Repeatability
- Credit given for only one of FINA-D 417 or SOAD-S 411.
- Thesis Sequence. Courses must be taken in the order listed.
- Thesis Workshop I. One (1) course:
- MSCH-C 145
- Thesis Workshop II. One (1) course:
- MSCH-C 245
- Thesis Workshop III. One (1) course:
- MSCH-C 345
- Thesis Production. One (1) course:
- MSCH-P 461 BFA Cinema Thesis: Production
MSCH-P 461 BFA Cinema Thesis: Production
- Credits
- 3
- Prerequisites
- Admission to the BFA in Cinematic Arts
- Description
- First semester of two-semester BFA Thesis sequence. Begins with the vetting of scripts and project proposals, along with consultation on pre-production efforts, then moves into thesis film production, including all production documentation/reports, proper workflow organization, and preparation for postproduction.
- Thesis Postproduction. One (1) course:
- MSCH-P 462 BFA Cinema Thesis: Postproduction
MSCH-P 462 BFA Cinema Thesis: Postproduction
- Credits
- 3
- Prerequisites
- A grade of C- or higher in MSCH-P 461
- Description
- Second semester of two-semester BFA Thesis sequence. Facilitates postproduction work on thesis film projects. Begins with editing, sound/audio work, and pick-ups to lock the project, then moves into color correction and industry-standard DCP creation. Culminates with a public exhibition of all thesis projects.
- Thesis Workshop I. One (1) course:
- Major GPA, Hours, and Minimum Grade Requirements.
- Major GPA. A GPA of at least 2.000 for all courses taken in the major—including those where a grade lower than C- is earned—is required.
- Major Minimum Grade. Except for the GPA requirement, a grade of C- or higher is required for a course to count toward a requirement in the major.
- Major Upper Division Credit Hours. At least 18 credit hours in the major must be completed at the 300–499 level.
- Major Residency. At least 18 credit hours in the major must be completed in courses taken through the Indiana University Bloomington campus or an IU-administered or IU co-sponsored Overseas Study program.
Major Area Courses
-
Unless otherwise noted below, the following courses are considered in the academic program and will count toward academic program requirements as appropriate:
- Any course at the 100–499 level with the
MSCH-C or MSCH-P
subject area prefix—as well as any other subject areas that are deemed functionally equivalent - Any course contained on the course lists for the academic program requirements at the time the course is taken—as well as any other courses that are deemed functionally equivalent—except for those listed only under Addenda Requirements
- Any course directed to a non-Addenda requirement through an approved exception
- Any course at the 100–499 level with the
Restrictions
The following restrictions apply to the minimum credit hours required in the major:
- No more than 6 credit hours of the following may count toward the major::
- MSCH-X 360 The Media School in Los Angeles
MSCH-X 360 The Media School in Los Angeles
- Credits
- 1–4 credit hours
- Prerequisites
- Must be accepted into the Media School's Semester in Los Angeles program
- Description
- Focuses on topics relevant to the Media School's Semester in Los Angeles program. Explores various aspects of the entertainment and media industries under the instruction of industry professionals.
- Repeatability
- May be repeated with different topics for a maximum of 15 credit hours.
This program of study cannot be combined with the following:
- Bachelor of Arts in Journalism (JOURBAJ)
- Bachelor of Arts in Media (MEDIABA)
- Bachelor of Science in Game Design (GAMEDSGNBS)
- Minor in Black Cinema and Media Studies (BLKCNMDMIN)
- Minor in Cinema and Media Studies (CNMDASTMIN)
- Minor in Fashion Media (FAMEDIAMIN)
- Minor in Film Production (FILMPRDMIN)
- Minor in Game Design (GAMEDSNMIN)
- Minor in Global Media (GLVMDIAMIN)
- Minor in Media and Creative Advertising (MDCRADMIN)
- Minor in Media and Diversity (MDIADIVMIN)
- Minor in Media Law and Ethics (MDLWETMIN)
- Minor in Media Persuasion (MDIAPRSMIN)
- Minor in Media, Sex and Gender (MDGNDRMIN)
- Minor in Public Relations (PBLCRELMIN)
- Minor in Sports Media (SPORTMDMIN)
- [Name unavailable] (NMISTACRT)
Exceptions to and substitutions for major requirements may be made with the approval of the unit's Director of Undergraduate Studies, subject to final approval by the College of Arts and Sciences.
The Bachelor of Fine Arts degree requires at least 120 credit hours, to include the following:
- College of Arts and Sciences Credit Hours. At least 100 credit hours must come from College of Arts and Sciences disciplines.
- Upper Division Courses. At least 42 credit hours (of the 120) must be at the 300–499 level.
- College Residency. Following completion of the 60th credit hour toward degree, at least 36 credit hours of College of Arts and Sciences coursework must be completed through the Indiana University Bloomington campus or an IU-administered or IU co-sponsored Overseas Study program.
- College GPA. A College grade point average (GPA) of at least 2.000 is required.
- CASE Requirements. The following College of Arts and Sciences Education (CASE) requirements must be completed:
- CASE Foundations
- CASE Breadth of Inquiry
- CASE Culture Studies
- CASE Critical Approaches: 1 course
- CASE Foreign Language: Proficiency in a single foreign language through the second semester of the second year of college-level coursework
- CASE Intensive Writing: 1 course
- CASE Public Oral Communication: 1 course
- CASE Sustainability Literacy: 1 course
- Major. Completion of the major as outlined in the Major Requirements section above.
Most students must also successfully complete the Indiana University Bloomington General Education program.